Math ImageryThe connection between mathematics and art goes back thousands of years. Mathematics has been used in the design of Gothic cathedrals, Rose windows, oriental rugs, mosaics and tilings. Geometric forms were fundamental to the cubists and many abstract expressionists, and award-winning sculptors have used topology as the basis for their pieces. Dutch artist M.C. Escher represented infinity, Möbius bands, tessellations, deformations, reflections, Platonic solids, spirals, symmetry, and the hyperbolic plane in his works.

Mathematicians and artists continue to create stunning works in all media and to explore the visualization of mathematics--origami, computer-generated landscapes, tesselations, fractals, anamorphic art, and more.

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"The Lost Art of Cyclides Islands Weavers," by Francesco De Comité (University of Lille, France)Digital print on cardboard, 2014
Dupin cyclides are the images of tori by sphere inversion. Since sphere inversion preserves circles, the set of Villarceau circles one can draw on a torus is transformed in a set of circles on the cyclide. The game is then to find nice images illustrating this fact, together with some story 'à la Raymond Roussel' to reinforce the magic. Manipulation of digital images, and use of ray-tracing software can help you to concretize mathematical concepts. Either for giving you an idea of how a real object will look or to represent imaginary landscapes only computers can handle. Things become yet more interesting, when you can transform your two-dimensional dream objects in real three dimensional sculptures. You can then handle your creations, and look at them from an infinity of view angles. --- Francesco De Comité ([url=]]/url])
Apr 06, 2015
"19 x 31," by Larry Crone (associate professor emeritus, American University, Alum Bank, PA)Print, 2014
In addition to its beauty, this image is of interest because the underlying quadratic rational function has an attracting fixed point cycle of order 19, and another of order 31. Just as a mountain presents many targets to a photographer, this function can be viewed from different perspectives, and it was hard to decide which one to use. The windows program Gplot, the camera which took this picture, is available for free download at --- Larry Crone (
Apr 06, 2015
"Intrinsic Transformation III," by Conan Chadbourne (San Antonio, TX)Archival inkjet print, 2014
This work is part of a series of visual meditations on the structure of the alternating group on 5 elements, also known as the icosahedral group. This image explores the structure of the icosahedral group through a particular presentation by two generators. The group's elements, which appear as yellow disks in this image, are arranged at the vertices of a rhombicosidodecahedron, shown here in stereographic projection, while the group's generators, of orders 3 and 5, correspond to the regions between the disks, colored green and blue, respectively. The image is composed of multiple hand-drawn images which are digitally composited and output as an archival digital print. --- Conan Chadbourne (
Apr 06, 2015
"Basilica," by Anne Burns (professor emerita, Long Island University, Brookville, NY)Digital print, 2014
The Julia Sets of z^n + c are familiar objects to mathematicians. In particular c=-1 yields the well-known "Basilica". Adding a term d/z(z^2-1) introduces three poles: z=0, z=-1, z=1. The orbits of initial points near the poles rapidly diverge to ∞; for very "small" (real, positive) d, amazingly, the boundary of the set of points whose orbit escapes (the Julia Set) contains an infinite number of tiny decorations resembling the decorations on the original "Basilica". --- Anne Burns
Apr 06, 2015
"Three (2k+2, 2k) links," by sarah-marie belcastro (Hadley, MA)Knitted hand-dyed wool, 2013
A (p,q) torus link traverses the meridian cycle of a torus p times and the longitudinal cycle q times; when p and q are coprime, the result is a knot, and when not (ha!) the result is a gcd(p,q)-component link with each component a (p/gcd(p,q), p/gcd(p,q)) torus knot. Here we have (in increasing order of complexity) a (4,2) torus link, a (6,4) torus link, and an (8,6) torus link. Each is knitted so that both the knotting and the linking are intrinsic to the construction (rather than induced afterwards via grafting). They were made as proof-of-concept for the methodology for knitting torus knots and links that the artist introduced at the 2014 JMM. --- sarah-marie belcastro (
Apr 06, 2015
"How origami is inspiring scientific creativity," (still from video) by Larry Howell, Julie Walker, Robert Lang, Spencer Magleby, and Brian WilcoxPeople’s Choice for the video category, and People’s Choice, Best Overall - 2015 Visualization "Vizzies" Challenge (National Science Foundation). Engineers use origami principles to design spacecraft solar panels and other devices that flex or unfurl, as in this video by a lab at Brigham Young University. Larry Howell, the team leader, says the work is just plain fun. "There's so much potential for applications. These things can really make a difference." [url=]View the video[/url]. Mar 10, 2015
"The Life Cycle of a Bubble Cluster: Insight from Mathematics, Algorithms, and Supercomputers," by Robert I. Saye and James A. Sethian, UC Berkeley and Lawrence Berkeley National LaboratoryHonorable Mention, Posters & Graphics - 2013 Visualization "Vizzies" Challenge (National Science Foundation). Soap bubbles are often perceived as majestic, but the physics of popping bubbles in a foam are far from simplistic. Delving into the multi-scale phenomena underpinning bubble dynamics, one finds that there is host of challenges that need to be solved if one is to model and simulate foam behavior with computers. This poster tells part of this story, from the picturesque behavior of soap bubbles, to multi-scale physics and mathematical modeling, to simulation with powerful supercomputers. See 2013 Vizzie Winners, including a link to a video of the foam simulation.Mar 02, 2015
"Exploring Complex Domain Functions Using Domain Coloring," by Konstantin Poelke and Konrad Polthier, Free University of BerlinHonorable Mention, Illustration - 2011 Visualization "Vizzies" Challenge (National Science Foundation). This illustration represents one example of a complex function. Such functions are mathematical relationships that incorporate both real and imaginary numbers, such as the square root of -1. To create this visualization, researchers at the Free University of Berlin assigned each complex number in their equation to a spot on a color wheel. The farther numbers get from zero, the brighter they are (white regions approach infinity). The result packs two dimensions of information (hue and brightness) into each point in the image. See 2011 Vizzie WinnersMar 02, 2015
"Kuen's Surface: A Meditation on Euclid, Lobachevsky and Quantum Fields," by Richard Palais and Luc Benard, University of California at IrvineFirst Place, Illustration - 2009 Visualization "Vizzies" Challenges (National Science Foundation). Sketch a line and then draw a point off it. How many lines parallel to the first line can you draw through that point? The Greek mathematician Euclid said just one, but for more than 2,000 years after his death, mathematicians struggled to prove that he was right based on his other geometric rules. Then the 19th century Russian mathematician Nikolai Lobachevsky showed that you couldn't: In some circumstances, you can sketch an infinite number of lines through that point and not violate any of Euclid's other axioms. Mathematician Dick Palais of the University of California, Irvine, and digital artist Luc Benard wanted to convey the history of Lobachevsky's solution to this mathematical puzzle with their illustration.

In this illustration, a sheet of paper shows sketches of one of these surfaces, called Kuen's surface, and the expression, called a soliton, that describes it. "We wanted to talk about these equations in a way that non mathematicians could understand," Palais says. "So we took a symbolic approach: The surface itself stands as a symbol for that equation." See 2009 Vizzie Winners
Mar 02, 2015
Möbius Transformations Revealed Credit: Douglas N. Arnold and Jonathan Rogness, University of Minnesota, Twin CitiesHonorable Mention, Noninteractive Multimedia (screen shots) - 2007 Visualization "Vizzies" Challenge (National Science Foundation). Any real numbers can be plotted on a line that runs from negative to positive infinity, but throw in an imaginary component and the line becomes a plane, where complex numbers are plotted on both the real and the imaginary axes. Möbius transformations are mathematical functions that send each point on such a plane to a corresponding point somewhere else on the plane, either by rotation, translation, inversion or dilation. It may sound confusing, but after watching this simple and elegant explanation of Möbius transformations created by Douglas N. Arnold and Jonathan Rogness of the UNM, everything becomes clear. Set to classical music, the video demonstrates the transformations in two dimensions but then backs away and adds a third--placing a sphere above the plane and shining light through it. As the sphere moves and rotates above the plane, suddenly all the transformations become linked, in a way that conveys visually in minutes what would otherwise take "pages of algebraic manipulations" to explain, says Rogness. See 2007 Vizzie Winners.Mar 02, 2015
"Still Life: Five Glass Surfaces on a Tabletop, " by Richard Palais, University of California, Irvine, and Luc BenardFirst Place, Illustration - 2006 Visualization "Vizzies" Challenge (National Science Foundation). Innumerable surfaces that we cannot touch or see or even know can be seen by mathematicians. They have long relied on their powers of imagination to picture abstract surfaces. Richard Palais of the University of California, Irvine, and graphic artist Luc Benard used the magic of computer graphics to recreate these abstract surfaces in familiar yet intriguing settings. See 2006 Vizzies Winners.Mar 02, 2015
Hamid Naderi Yeganeh, "A Bird in Flight" (November 2014)This image is like a bird in flight. It shows 2000 line segments. For each i=1, 2, 3, ... , 2000 the endpoints of the i-th line segment are:
(3(sin(2πi/2000)^3), -cos(8πi/2000))
((3/2)(sin(2πi/2000)^3), (-1/2)cos(6πi/2000)).

I created this image by running my program. --- Hamid Naderi Yeganeh
Dec 18, 2014
Hamid Naderi Yeganeh, "Heart" (November 2014)This image contains a heart-like figure. It shows 601 line segments. For each i=1, 2, 3, .... , 601 the endpoints of the i-th line segment are:
(sin(10π(i+699)/2000), cos(8π(i+699)/2000))
(sin(12π(i+699)/2000), cos(10π(i+699)/2000)).

I created this image by running my program. --- Hamid Naderi Yeganeh
Dec 18, 2014
Hamid Naderi Yeganeh, "1,000 Line Segments (4)" (August 2014)This image shows 1,000 line segments. For each i=1,2,3,...,1000 the endpoints of the i-th line segment are: (-sin(10πi/1000), -cos(2πi/1000)) and ((-1/2)sin(12πi/1000), (-1/2)cos(2πi/1000)). I created this image by running my program on a Linux operating system. --- Hamid Naderi YeganehOct 01, 2014
Hamid Naderi Yeganeh, "1,000 Line Segments (3)" (August 2014)This image shows 1,000 line segments. For each i=1,2,3,...,1000 the endpoints of the i-th line segment are: (-sin(8πi/1000), -cos(2πi/1000)) and ((-1/2)sin(6πi/1000), (-1/2)cos(2πi/1000)). I created this image by running my program on a Linux operating system. --- Hamid Naderi YeganehOct 01, 2014
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American Mathematical Society