The transformer that provides electricity to the AMS building in Providence went down on Sunday, April 22. The restoration of our email, website, AMS Bookstore and other systems is almost complete. We are currently running on a generator but overnight a new transformer should be hooked up and (fingers crossed) we should be fine by 8:00 (EDT) Wednesday morning. This issue has affected selected phones, which should be repaired by the end of today. No email was lost, although the accumulated messages are only just now being delivered so you should expect some delay.
Thanks for your patience.
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Tony Phillips' Take on Math in the Media
A monthly survey of math news
"The Fibonacci sequence discovered on the facade of a church in Pisa" was the headline in the Florence edition of La Repubblica for September 19, 2015. The story, by Giovanni Gagliardi and Laura Montanari, tells how Pietro Armienti, a professor of Earth Sciences at Pisa, discovered "a message that no one has read for more than eight hundred years. A message encoded in the perfect geometries of the lunette of the church of San Nicola, in Pisa, and which for the readers of Dan Brown and of his Da Vinci Code has a familiar name: the Fibonacci sequence. The formula due to the Pisan mathematician is represented by a series of figures including circles and squares in the marble decoration of a small church in the center of the Tuscan city."
The entrance to the church of San Nicola, in Pisa, with an enlargement of the lunette in question. Image from Wikimedia Commons. A beautiful set of pictures of the lunette and its surroundings has been posted by Getty images.
Prof Armienti's discovery is explained in more detail in an article he wrote for the Journal of Cultural Heritage. In "The medieval roots of modern scientific thought. A Fibonacci abacus on the facade of the church of San Nicola in Pisa" he states: "The intarsia [image formed with inlaid stone] reveals the direct influence of the great Pisan mathematician Leonardo Fibonacci due to the presence of circles whose radii represent the first nine elements of the Fibonacci's sequence and which were arranged to depict some properties of the sequence. Moreover, the tiles [in the background of the lunette] can be used as an abacus to draw sequences of regular polygons inscribed in a circle of given radius."
The design of the intarsia in the San Nicola lunette contains circles of radius 1, 2, 3, 5, 8, 13, 21, 34 and 55, the first nine elements of the Fibonacci sequence. Background image courtesy of Pietro Armienti.
At the end of his article, Prof Armienti addresses the conspicuous placement of a mathematical artifact on an ecclesiastical facade. "Symptomatic of the cultural climate of the [Pisan] Republic, which at the time controlled the trade in the Mediterranean, the lunette could well be said to represent a milestone in the history of scientific thought of the Christian West. ... The position of the intarsia, on the main entrance of the church, is an expression of the thesis supported by Thomas Aquinas in his Summa Theologiae, i.e. that knowledge is a gateway to the divine, and rational truth and revealed truth cannot contradict one another. 'Veritas: Adaequatio intellectus ad rem. Adaequatio rei ad intellectum. Adaequatio intellectus et rei.'"
On the other hand: "At the end of this exploration, which began one summer morning in front of the church while grumbling about the delay of my wife, I am left with the belief that it is always worth waiting for the preparations of a beautiful woman. ... "
"Untangling the Mechanics and Topology in the Frictional Response of Long Overhand Elastic Knots" appeared in Physical Review Letters for the week ending September 11, 2015. The authors, M. K. Jawed, P. Dieleman, and P. M. Reis (MIT) and B. Audoly (Paris 6) begin their paper with a familiar example:
In the authors' words: "we perform a systematic investigation of elastic knots under tension and explore how their mechanical response is influenced by topology." The knots they investigated, through experiment and analysis, are the overhand knots with unknotting number 1 up to 10.
Overhand knots with unknotting number $n = 1, 2, 3, 4$. The unknotting number is the number of crossings that need to be eliminated to make the string unknotted. If the two ends are joined, the overhand knot with unknotting number $n$ becomes a topological knot with $2n+1$ crossings. Braid and loop are parts of the knot treated separately in the authors' analysis.
The team's experiments consisted of tying overhand knots in Nitinol (nickel-titanium) rods of circular cross section, and clamping one extremity of the rod. The other end was displaced slowly, so as to tighten the knot; the experimenters recorded the relation between the tensile force and the length of the knot (the braid plus the loop).
Here is how the theoretical part of the paper is explained by Michael Shirber, writing in the American Physical Society online feature Physics.
As the researchers report in their Abstract, "Excellent agreement is found between theory and experiments for overhand knots over a wide range of crossing numbers."
[A QuickTime movie, Discrete elastic rods, made in 2008 by Audoly and another team: M. Bergou, S. Robinson and E. Grinspun (Columbia) and M. Wardetzky (Freie Universität Berlin) investigates different aspects of a similar medium and is definitely worth a look. -TP]
Alex Bellos posted "Nested fish and golden triangles: adult colouring and the beauty of maths" on The Guardian's website, September 17, 2015. "When people say that maths is 'beautiful' it is usually meant in the abstract sense, such as to describe a theorem whose power, depth and concision provoke feelings of awe. Bertrand Russell called this 'a beauty cold and austere ... sublimely pure, and capable of a stern perfection'. Yet humans have traditionally also found aesthetic, sacred beauty in mathematics. Islamic and Hindu cultures, for example, are rich in stunning images based on geometric design. It was reflecting on the role of maths as a meditative and contemplative medium that I decided to compile a colouring book.
No mathematical knowledge is required or assumed to colour in the ... images in the book ... . But by colouring them in you will be engaging with mathematical ideas, some of which are millennia old and some of which are recent discoveries."
Bellos' article contains (downloadable) four of the 80 patterns printed in his book, to be available also in the U.S. as "Patterns of the Universe," starting December 1. Here are some sample full-scale extracts (the plates are 10.5in square) with examples of colorings.
Full-scale details of two of the patterns from Alex Bellos' adult maths colouring book, with suggested realizations. Fish: © David Bailey, "Tridoku": © Edmund Harriss.
Don't try to help your kids with their math homework if you suffer from math anxiety yourself. This is the lesson to be learned from Jan Hoffman's posting on the New York Times "Well" blog, August 24, 2015. "Children of highly math-anxious parents learned less math and were more likely to develop math anxiety themselves, but only when their parents provided frequent help on math homework, according to a study of first- and second-graders, published in Psychological Science." Hoffman links to the study, by a team of five psychologists from Chicago, UCLA and Temple: "Intergenerational Effects of Parents' Math Anxiety on Children's Math Achievement and Anxiety." From the abstract: