The Knots in the Quipu, and in the Friar's BeltIn a canonical numerical quipu, each pendent (or subsidiary) displays a number: a positive integer, expressed in decimal notation...
Tony Phillips
Introduction
Quipus and their knots
Left: a numerical quipu in the collection of the American Museum of Natural History, New York (Accession No. B8713). In this example the pendents have no subsidiaries, but six top cords are attached so as to group the pendants four by four. As Locke's analysis shows, each top cord records the sum of the numbers encoded in knots on the four pendents in its group. This item, which Locke describes as "an example of the most highly developed form of the quipu," appears as the frontispiece to his work [Locke]. An even more intricate numerical relation, this time between different quipus, all found together, has been recently documented in [Urton and Brezine]. A quipu is a portable device made of (cotton or camelid wool) string in a twodimensional array. A primary cord (also, main cord, transverse cord) "varying in length from a few centimeters to a meter or more" [Locke] supports several pendents (also, pendant cords) "seldom exceeding 0.5 meter in length" [Locke]; up to 1500 in the largest examples, but typically in the range from a few to several hundred. The pendents can bear subsidiary cords, which themselves can have subsidiaries, and so on, up to six levels in some instances [Ascher]. There may also be a set of top cords, attached so as to lie most naturally on the opposite side from the pendants. The pendents, subsidiaries and top cords each carry a sequence of knots, which record information. The knotsLocke's portrayal of primary cord, pendents and susidiaries, and of the three types of informationbearing knots that appear in standard ancient quipus: the overhand knot (i, j, 1_{j}), the figureeight knot (g, h, 1_{h}), and the long knots tied as an overhand knot but casting the end through the loop from 2 to 9 times (2, ..., 9; 4 is shown loosened as e, and tied in the subsidiary as l; 3 also appears on a pendent as f, and 5 appears on pendent d which, without its subsidiary, encodes the number 135. As remarked in [Urton], each of these knots can be tied either righthand or lefthand. The grammar of knotsIn a canonical numerical quipu, such as Locke's example shown above, each pendent (or subsidiary) displays a number: a positive integer, expressed in decimal notation, as follows:
The different levels are apparent in Locke's photograph, and even more precisely demarcated in the sixfigure example linked to just above. As in Old Babylonian notation, the lack of a symbol for zero introduces a theoretically possible ambiguity: 210 and 2100 alone cannot be distinguished. But if just one cord in a quipu displays a number with a nonzero units place, then the distinctive knots used for that position, and the coherence of levels, will anchor the entire array. The ideal even spacing between levels shown in the sixfigure example could compensate the (unlikely) absence of nonzero entries, in any position higher than units, across an entire quipu. From a topological point of viewTo a topologist, the knots in quipus are quite standard. When the two free ends of the overhand knot are joined the configuration forms the trefoil knot, knot $3_1$ in the standard knot table. Similarly the figureeight knot appears as $4_1$. The first few long knots are in the table: the quipu knot 2 is $5_1$, 3 gives $7_1$ and 4 gives $9_1$. There are 165 distinct knots with 10 crossings; the table stops there. But if it went on, presumably the quipu 5 would correspond to $11_1$, ..., and 9 to $19_1$ since these torus knots are the simplest in each case. Locke's loosened 4knot, captured in a loop, can be deformed to the standard picture of $9_1$. Each of the torus knots $3_1$, ..., $19_1$ exists in two mirrorimage forms, distinct in that one cannot be deformed to the other. All 18 of these forms exist in the corpus of ancient quipu knots ([Urton], Chapter 3). The figureeight knot also exists in quipus in two mirrorimage forms. In [Urton] the two ways of tying a figureeight knot in a cord are described as an Sknot (a. and b., front and back) or a Zknot (c. and d.), in analogy with the two directions in which yarn can be spun. The figureeight knot is different from all the overhand knots in that its two mirrorimage forms are topologically equivalent. The deformation can be achieved by loosening the knots and flipping selected loops over or under the rest of the knot. The deformation from the Sknot figureeight (form b.) to the Zknot (form c.). In step 1, the red loop is flipped over the rest of the knot; in step 2, the blue loop is flipped under. Long knots and friar's knots
Garcilaso de la Vega's Commentarios Reales de los Incas (Lisbon, 1609) describe quipus in some detail. In particular (as quoted in [Locke, p. 40]) "... the knots for each number were made together in one company, like the knots represented in the girdle of the ever blessed Patriarch, St. Francis." Franciscan friars still wear such a belt; traditionally the knots are three, representing vows of poverty, chastity and obedience. In fact, these knots are topologically identical to long knots in quipu, but they are tied so as to be symmetric and consequently do not look the same.
The equivalence between the quipu knots and the friar's knots with the same number of turns is not completely obvious. To maneuver one to the other in space requires some energetic twisting. These knot projections show steps in the deformation from the 3ring friar's knot to the torus knot $7_1$ and the quipu knot 3. The middle winding has been colored red for easier reading.
The writhe of a knotThe "energetic twisting" required to deform a friar's knot into the corresponding long knot can be quantified mathematically, using the writhe. This is an integer, associated to a knot, that measures its geometrical complexity. The writhe can be defined from a planar projection of the knot; it is not a topological invariant.
Some knots and their writhes. The standard figureeight (without any extra independent loops) has writhe $0$. The overhand knot has writhe $+3$ if it is tied lefthanded, and $3$ if it is tied righthanded.
Note: revised, May 5, 2014. References
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