In Canon 4 (per Augmentationem contrario Motu) Voice 2 starts at the sign, one-half measure after Voice 1. The second clef is again upside-down, signalling that Voice 2 runs upside-down (as in Canon 3).
The second clef is a treble clef and positions Voice 2 above the modified ``royal theme'' in the top staff. The ``royal theme'' now appears as a middle voice. But there is more: The ``per augmentationem'' in the title indicates that in Voice 2 each note has double the value that it had in Voice 1, so Voice 2 moves with half the speed of Voice 1.
To make the function g copy the function f but move half as fast, we define g(t) = f(t/2) so that g(2) = f(1), g(4) = f(2), etc. To make g also start later and higher and move in the reverse direction, we combine the previous modifications and set
g(t) = -f((t-0.5)/2) + L.
As in Canon 3, the L is chosen to position our graph approximately where Voice 2 is positioned. Note that it takes sixteen measures to hear the whole canon: Voice 1 has to play its tune twice before Voice 2 is finished.